Tag: featured

  • Itten Forest Tanto

    Itten Forest Tanto

    Itten (一転, “eat..ten”) means a turning point or turn of events, as in a story or set of circumstances. It carries the idea of a sudden or unexpected shift, return, or change, and often means a complete turn around, in skateboard terminology this is known as a one-eighty (180°). This is the first hammer-finished full…

  • Koi-oshidori Field Kotanto

    Koi-oshidori Field Kotanto

    The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura (蔵, storehouse) style and includes antique fittings from swords carried long ago. Satoyama are the managed forest areas that…

  • Sunnobi Mountain Tanto

    Sunnobi Mountain Tanto

    Sunnobi tanto (寸延び短刀) are larger than ordinary tanto, with nagasa a sun or two above 1 shaku (sun nobi, “a sun longer”, from nobiru, to stretch or lengthen). Though there is some area of crossover with hira-zukuri ko-wakizashi and they may have sori similar to ko-wakizashi, the simplified difference would be that they are still…

  • Field Kotanto with Antique Fittings

    Field Kotanto with Antique Fittings

    The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in eclectic kura style and includes antique fittings made for swords centuries ago. Satoyama are the managed forest areas that border the cultivated…

  • Forest Kotanto with Antique Fittings

    Forest Kotanto with Antique Fittings

    The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura style and includes antique fittings from swords carried centuries ago. Satoyama are the managed forest areas that border the…

  • Nagatsuki Tanto

    Nagatsuki Tanto

    Nagatsuki (長月, pronounced “nah-gah-tsoo-key”) translates literally as “long moon”. In the ancient calendar it is a poetic name for the time around late September, possibly abbreviated from yonagatsuki meaning “night of the long moon”, or “month of the long night” depending on the reading. The idea is associated with the time of Autumn, seasonal change…

  • Furusato Tanto

    Furusato Tanto

    Furusato (故郷, pronounced “foo-roo-sah-toe”) means home place or hometown and contains the ideas of being rooted or grounded wherever one may sojourn, and a confidence and longing for return. This tanto has a simple and elegant form with a natural and humble mounting that reflects the rustic satoyama lifestyle and suits the aesthetics of the…

  • Inome Tanto

    Inome Tanto

    The inome (pronounced “ee-no-may”, 猪の目, eye of the boar) name comes from the pierced heart-shape designs of the decorative o-seppa (washers) on either side of the tsuba (handguard). This lovely motif is ubiquitous in Japan, seen often in architecture, furniture, and sword mountings. In this context, the inome symbol conveys the idea of the focused,…

  • Yoroidoshi in Shirasaya

    Yoroidoshi in Shirasaya

    This blade began as a segment of reclaimed horse-drawn carriage spring and was hand forged in a charcoal fire, smoothed with files and a sen scraper, hardened using traditional water quench yaki-ire, and polished by hand with natural Japanese water stones. Crafted and finished entirely with hand tools and traditional techniques, the slender blade profile…

  • Aikuchi Tanto Koshirae

    Aikuchi Tanto Koshirae

    A custom koshirae for a small antique tanto blade belonging to a client. Crimson lacquered samegawa handle, fukiurushi horn fittings, a silver mekugi, and polished black lacquer scabbard in a classical aikuchi style. Materials for the custom red and black aikuchi style koshirae mounting include lacquered samegawa over hounoki (朴の木, japanese bigleaf magnolia/magnolia obovata) for…

  • Mountain Kotanto

    Mountain Kotanto

    A clay tempered blade hand forged in a charcoal fire, water quenched with clay, sharpened with waterstones, and finished simply and humbly in the age-old style of farming and foresting tools traditionally used in managing satoyama lands. Satoyama are the managed forest areas that border the cultivated fields and the mountain wilds in Japan. Historically…

  • Touzai Tanto

    Touzai Tanto

    Touzai (東西) can be literally translated “East West” and carries the idea of spanning across distance or covering and including everywhere. There is also a saying, “kokontouzai” (古今東西) which means for all time and all places, literally “old, now, East, West”. This project began with the concept of ideas from different times and places coming…

  • Hatsu Yari

    Hatsu Yari

    This project began as a personal challenge and an exploration of the beauty and symmetry that can be found in the sankaku style yari (三角槍). The cross section of the blade is triangular in this style, the spine quite thick and strong, and the tip is centered on both axis. The basic form is fairly…

  • Kuromon Aikuchi Tanto

    Kuromon Aikuchi Tanto

    Kuromon can be translated as “the black gate”. Designed around the concept of textural exploration as a companion project to Kuromatsu Aikuchi Tanto, this tanto with koshirae is a bold yet restrained piece that has the austere simplicity that appealed to the refined tastes of working samurai centuries before the Edo period. This tanto is…

  • Tsukimi Tanto

    Tsukimi Tanto

    The bright orange moon of late Summer and early Autumn is the inspiration for this work. Tsukimi means moon watching, and brings to mind a lovely harvest moon and the rustling sounds of the dry, frost coloured susuki grass as the evening breeze blows across the plateau. The unusual ring and plate style kurikata is…