Tsukimizu Tanto
Tsukimizu (月水, “tsu-key-me-zoo”) literally translates “moon-water” and carries the idea of the reflection of the moonlight in the ripples of a pond or stream. The name is drawn from the layered steel ripples along the edge of the hamon and also ties into the motifs of the fittings. This is a unique combination of a…
Asagiri Tanto
Asagiri (朝霧, pronounced “ah-sah-gi-ri”, gi and ri rhyme with key) translates literally as “morning mist”. Spoken it could also be a word play on “morning cut”, slicing the dawn, or perhaps “shallow morning”. The idea is related to the interesting “rolling mist” artifact resulting from interaction between the hamon and the hada on the blade…
Forging a Sunnobi Tanto
Sunnobi tanto (寸延び短刀) are larger than ordinary tanto, with nagasa (blade length) a sun or two above 1 shaku (sun nobi, “a sun longer”, from nobiru, to stretch or lengthen). Though there is some area of crossover with hira-zukuri ko-wakizashi and they may have sori similar to ko-wakizashi, the simplified difference would be that they…
Ashinoho Tanto
Ashinoho (ashi-no-ho, 葦の穂 pronounced “ah-shi-no-ho”) refers to the water reed, specifically the top of the plant curving over as it is loaded with seeds. The idea is associated with the fullness of season nearing and the realization of potential in the right time, but also carries with it the concept of humility and restraint in…
Museum Forge Shiageba
As part of the 2022 artist in residence project a temporary shiageba (finishing area) was set up for carving handles and scabbards for the knives forged earlier in the year. This was the first time that the finishing stages of traditional knifemaking were demonstrated at the museum. Later in the season a full-sized traditional togi-dai…
Process: Forging a Field Kotanto
This blade was named Sunagawa (砂川, sand river) because the texture of the blade and the flowing edge of the hamon are reminiscent of the bank of a calm river. It was hand forged in a charcoal swordsmith style forge powered by fuigo box bellows and water quenched with clay, an outdoor knife that has…
NikkeiTV Interview
Vancouver-based Japanese NikkeiTV stopped in at the museum forge on their central Vancouver Island tour. Thank you to Kaeko~san and Tag~san for your visit and interest in traditional swordsmithing! Original airing date was June 5, 2022. See more photos of the finished knives here. Watch more forge visits and interviews here.
Process – Forging a Sunnobi Forest Tanto
This blade was forged and underwent yaki-ire at the museum forge. It began as a pre-1960s (integral) cultivator tine used by a farmer a generation or more ago. It is a sunnobi (overlength) tanto in the forest pattern, charcoal-forged and water quenched with clay, a satoyama style outdoor knife that has the foundation of the…
Making a Kanna from a Paper Cutter Blade
Craftsmen often create custom mameganna (small “bean” plane) for small wood projects requiring a custom radius or access to tight spaces. In this case a large post kanna was made from a section of industrial paper cutting blade as part of a timber framing project. Materials for this large kanna are a scrap block of…
Process – Forging a Mountain Kotanto
This blade was forged and underwent yaki-ire at the museum forge. It began as a pre-1960s (integral) cultivator tine used by a farmer a generation or more ago. It is a kotanto in the mountain pattern, charcoal-forged and water quenched with clay, a satoyama style outdoor knife that has the foundation of the Japanese sword.…
Yoroidoshi Forest Kotanto
The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor style knife that has the foundation of the Japanese sword. The hamidashi mounting is in the rustic kura style and includes antique fittings from swords carried generations ago. Satoyama are the managed forest areas that border…
Itten Forest Tanto
Itten (一転, “eat..ten”) means a turning point or turn of events, as in a story or set of circumstances. It carries the idea of a sudden or unexpected shift, return, or change, and often means a complete turn around, in skateboard terminology this is known as a one-eighty (180°). This is the first hammer-finished full…
An Inside Look at Handle Geometry
A rare opportunity to compare the inside and outside geometry of a finished handle core. Historically an old tsuka would be split open for repair or adjustment or even re-purposing for a new blade, however a newly crafted tsuka is always glued together before the outside is shaped. In this unusual case the core was…
Forest Kotanto with Antique Fittings
The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura style and includes antique fittings from swords carried centuries ago. Satoyama are the managed forest areas that border the…
Film: The Blacksmith – Tools for Satoyama
The forging of this blade was documented both in photography and video by Jordan Wende. The wakishinobe stage of lengthening and preparing the sunobe were done on the last day of forging at the island kajiba, and the hizukuri was finished and yaki-ire performed at the museum forge. See the photo essay of the wakashinobe…