Mountain Kotanto with Antique Fittings

The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The hamidashi mounting is in the rustic kura (蔵, storehouse) style and includes antique… Continue reading →

Koi-oshidori Field Kotanto

The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura (蔵, storehouse) style and includes antique… Continue reading →

Sunnobi Mountain Tanto

Sunnobi tanto (寸延び短刀) are larger than ordinary tanto, with nagasa a sun or two above 1 shaku (sun nobi, “a sun longer”, from nobiru, to stretch or lengthen). Though there is some area of crossover with hira-zukuri ko-wakizashi and they may have… Continue reading →

Field Kotanto with Antique Fittings

The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in eclectic kura style and includes antique fittings made for… Continue reading →

SOTW #19 – Assembling the Inome Tanto

The inome (pronounced “ee-no-may”, 猪の目, eye of the boar) name comes from the pierced heart-shape designs of the decorative o-seppa on either side of the tsuba. This lovely motif is ubiquitous in Japan, seen often in architecture, furniture, and sword mountings. This is the first of my blades to incorporate antique sword parts as part of its mounting. Process of making the Inome Tanto.

温故知新・On Ko Chi Shin

A true and accurate understanding of the past is an important step towards a good future. 温故知新 (on ko chi shin) is an expression that most directly translates to, “study the old to know the new”. This one-of-a-kind project represents the current… Continue reading →

Process: Making a Futokorogatana

Futokorogatana (懐刀) is translated as “clothing fold sword” and describes a type of tanto mounting meant to be carried in the kimono sleeve or fold. Also known as kaiken, this humble style of hidden mounting is usually unadorned with a smooth profile… Continue reading →

Pacific Yew Forest Kotanto

This custom kotanto finds a balance between the humble satoyama style and a classical tanto with a striking combination of forged copper, natural orange hardwood, and black urushi lacquer. The blade began as a reclaimed harrow tooth and was hand forged in… Continue reading →

Touzai Tanto

Touzai (東西) can be literally translated “East West” and carries the idea of spanning across distance or covering and including everywhere. There is also a saying, “kokontouzai” (古今東西) which means for all time and all places, literally “old, now, East, West”. This… Continue reading →

Making a Hatchet Handle

The second half of the antique hatchet restoration project. There are several important points that are often overlooked when choosing or crafting an axe or hatchet handle. Though not a thorough treatise on the subject, this post will briefly discuss some axe… Continue reading →

Yozakura Tanto

The nightime viewing of cherry blossoms by moonlight is cherished for the unique perspective and focus it brings to the experience. The dark tones of the sky and the gentle light of the moon provide subtle variations in colour, texture, and detail… Continue reading →

Kuromatsu Aikuchi Tanto

The Kuromatsu tanto with koshirae is named for a species of Black Pine (黒松) that grows near the seaside in Japan. The bark changes from grey to black as the tree matures and ages, symbolized by the colour and contrast of the… Continue reading →

Crossed Heart Forge

Charcoal forged classical tanto & fusion style takedown knives crafted by hand from reclaimed steel and natural materials using traditional techniques.

Tag Archives: patina