The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura style and includes antique fittings made… Continue reading
The core of this project is a charcoal-forged blade, water quenched with clay and sharpened with waterstones, an outdoor knife that has the foundation of the Japanese sword. The aikuchi mounting is in the rustic kura style and includes antique fittings from… Continue reading
Nagatsuki (長月, pronounced “nah-gah-tsoo-key”) translates literally as “long moon”. In the ancient calendar it is a poetic name for the time around late September, possibly abbreviated from yonagatsuki meaning “night of the long moon”, or “month of the long night” depending on… Continue reading
Furusato (故郷, pronounced “foo-roo-sah-toe”) means home place or hometown and contains the ideas of being rooted or grounded wherever one may sojourn, and a confidence and longing for return. This tanto has a simple and elegant form with a natural and humble… Continue reading
The inome (pronounced “ee-no-may”, 猪の目, eye of the boar) name comes from the pierced heart-shape designs of the decorative o-seppa (washers) on either side of the tsuba (handguard). This lovely motif is ubiquitous in Japan, seen often in architecture, furniture, and sword… Continue reading
This blade began as a segment of reclaimed horse-drawn carriage spring and was hand forged in a charcoal fire, smoothed with files and a sen scraper, hardened using traditional water quench yaki-ire, and polished by hand with natural Japanese water stones. Crafted… Continue reading
A custom koshirae for a small antique tanto blade belonging to a client. Crimson lacquered samegawa handle, fukiurushi horn fittings, a silver mekugi, and polished black lacquer scabbard in a classical aikuchi style. Materials for the custom red and black aikuchi style… Continue reading
A clay tempered blade hand forged in a charcoal fire, water quenched with clay, sharpened with waterstones, and finished simply and humbly in the age-old style of farming and foresting tools traditionally used in managing satoyama lands. Satoyama are the managed forest… Continue reading
Touzai (東西) can be literally translated “East West” and carries the idea of spanning across distance or covering and including everywhere. There is also a saying, “kokontouzai” (古今東西) which means for all time and all places, literally “old, now, East, West”. This… Continue reading
This project began as a personal challenge and an exploration of the beauty and symmetry that can be found in the sankaku style yari (三角槍). The cross section of the blade is triangular in this style, the spine quite thick and strong,… Continue reading
Kuromon can be translated as “the black gate”. Designed around the concept of textural exploration as a companion project to Kuromatsu Aikuchi Tanto, this tanto with koshirae is a bold yet restrained piece that has the austere simplicity that appealed to the… Continue reading
The bright orange moon of late Summer and early Autumn is the inspiration for this work. Tsukimi means moon watching, and brings to mind a lovely harvest moon and the rustling sounds of the dry, frost coloured susuki grass as the evening… Continue reading