Making a Kanna from a Reclaimed Chisel

A custom mameganna (small “bean” plane) such as might be used by furniture makers can be made fairly quickly from an old chisel. This type of kanna might be used for shaping saya or tsuka or for other small woodwork projects requiring a custom radius or access to… Continue reading

温胡知新・On Ko Chi Shin

A true and accurate understanding of the past is an important step towards a good future. 温胡知新 (on ko chi shin) is an expression that most directly translates to, “study the old to know the new”. This one-of-a-kind project represents the current progression of my work based on… Continue reading

Komori~san back in the forge

Komori~san and his talented crew came to the island and spent a couple of days getting footage in the forge and of the final assembly of a tanto. They set up all their own lighting in the forge, and along with a couple of cameras and a sound… Continue reading

Aikuchi Tanto Koshirae

A custom koshirae for a small antique tanto blade belonging to a client. Crimson lacquered samegawa handle, fukiurushi horn fittings, a silver mekugi, and polished black lacquer scabbard in a classical aikuchi style. Materials for the custom red and black aikuchi style koshirae mounting include lacquered samegawa over… Continue reading

Futokorogatana Kaiken Tanto

Futokorogatana (懐刀) is translated as “clothing fold sword” and describes a type of tanto mounting meant to be carried in the kimono sleeve or fold. Also known as kaiken, this humble style of hidden mounting is usually unadorned with a smooth profile and lacquer finish. More photos and information.

Process: Making a Futokorogatana

Futokorogatana (懐刀) is translated as “clothing fold sword” and describes a type of tanto mounting meant to be carried in the kimono sleeve or fold. Also known as kaiken, this humble style of hidden mounting is usually unadorned with a smooth profile and lacquer finish. This knife would… Continue reading

Pacific Yew Forest Kotanto

This custom kotanto finds a balance between the humble satoyama style and a classical tanto with a striking combination of forged copper, natural orange hardwood, and black urushi lacquer. The blade began as a reclaimed harrow tooth and was hand forged in a charcoal fire, differentially hardened using… Continue reading

Bladesmithing at the Museum Forge

Forging a custom forest kotanto in the swordsmith forge. The starting material was a harrow tooth, the finished blade is hirazukuri, mitsu mune, 140mm / 5.5″ nagasa, with a sturdy 6.5mm motokasane. The finish will be tsuchime (hammer texture) so there was no filing or polishing before yaki-ire, which was done at my forge for the dim and consistent light conditions.